Show Off! Have Fun! Win Prizes!

(Hello! I just started a Patreon to support the blog and expand my teaching options! Right now it’s in ‘early access mode’, but I’ll be focusing on it a lot more after ReaperCon.) 

We interrupt your regularly scheduled Pirate Parade with this important message from our sponsor, ReaperCon 2020

Would you like to show off some miniatures that you’ve painted? Would you like to try your hand at an interesting colour challenge? This is a great opportunity to do one or both of those things AND win prizes!

To join in the ReaperCon Showcase, post your work to any or all of Facebook, Instagram, Twitter, or the ReaperCon Discord using the appropriate hashtag. You can find the complete instructions here. Note that you can post work by any manufacturer. We want to enjoy all your cool figures and scenes! A number of Reaper reviewers will be picking their favourites as Reaper Choice selections. The painter of every piece selected as a Reaper Choice will receive a $20 US gift certificate to be used on the Reaper store. Entries must be posted by Sunday, September 6, 2020 at noon Central time to be considered.

Pg gob bottles 1000

The other painting event is the Quad Color Clash. For this one you must use Reaper paints and Reaper miniatures to be considered for prizes. There are also some steps to follow with the photographs, so please read the complete instructions here. (Note there is a typo in the hashtag on the page currently, use #quadcolorclash.)  You can post entries on any or all of Facebook, Instagram, Twitter, or the ReaperCon Discord. And as with the showcase, Reaper reviewers will be selecting QCC Favorites that will win $20 US gift certificates to the Reaper Store. The deadline for this is also Sunday, September 6, 2020 by noon Central time.

Pg gob front 300

Even if you don’t care at all about gift certificates or ReaperCon, I hope you’ll consider trying out the idea of selecting four paint colours and painting a figure using only those. Art challenges and exercises that limit our options can spur new creativity. You might find this helps you learn a lot about how to use your colours for more than you imagined. Or some elements you absolutely need to include to successfully paint a miniature, and others that might be less necessary than you thought. 

Pg gob back 300

As soon as I finished this I thought had some thoughts about slightly different colours I could have used that might have given a bit of a different effect. Not to mention some other ideas entirely. I’m itching to try this some more. I’m hoping I’ll get to try a few more schemes in the next week or two so I can write a blog post and we can have a discussion about this exercise and why it’s worth doing. I encourage you to mess around with it over the next week or two so I can hear your thoughts as well!

Pg gob face 300

This figure is one of three sculpts in a Goblin Skirmishers pack. There’s a pack of similarly sculpted Goblin Warriors, as well. Bobby Jackson sculpted these, and I think he packed quite a lot of personality in these small packages. I’ve been planning to get back to doing some speed paint practice, and I think these will be great vict… subjects for that exercise. I painted this guy in about 65 minutes while I was trying to practice working with my new video set up. And they won’t be too tough to fight the next time we get together for in-person role-playing. Whenever that might be…

I think I might try something a little larger for future quad colour attempts, if only so it’s easier to see on video and in photographs. 

Looking forward to seeing what you come up with!

Suggestions for Contest Entries

I wrote this up to post in the Reaper forums as advice for people entering the MSP Open at ReaperCon in a few weeks, but since most of the advice applies to entering any contest, I figured I would share here, as well. (Also it’s not too late to come to ReaperCom 2019, come join us for the fun!)

ReaperCon stage

Hey fellow painters! We’re a few short weeks out from the Reaper MSP Open. I am really looking forward to seeing what everyone brings – it’s a highlight of the show for me!

For many years I have offered feedback on people’s minis after the contest, in classes, or just hanging out at the artist table. I expect I’ll be doing so again in a few weeks. But this year I thought I might also try offering some general advice in advance. These comments are based on the feedback topics that come up most often.

I know some of you have heard similar critique more than one year running, or from more than one critiquer. Which I know from experience is very frustrating! Trust me, I still get told that my work needs more contrast. And I’m still struggling to try to put that advice into practice! So I would like to start with a radical suggestion –

Go Big!

This one is for all the people who’ve received criticism about insufficient contrast, or their OSL not being dramatic enough, or another effect appearing too subtle. So many people worry about being too over-the-top or ‘unrealistic’ while they’re painting, and then after the contest receive feedback that their work is too subtle or subdued. So why not try the opposite for a while? Or try it for even just one figure?

Go big! Exaggerate! Be outright ridiculous! Put so much contrast in there you think people will be flabbergasted. Paint that OSL effect so brightly your viewers will need to wear shades. Exaggerate the action of your diorama story. Whatever you’ve been critiqued for in the past, try not only doing that thing, but dial that thing up to 11.

Then bring your crazy exaggerated piece along to the show. Put it in the contest. Bring it with some pieces you’ve worked on in your usual way. See which gets picked for judging. Take a look at the photos that are taken of all the entries and see which style looks more effective in photographs. Show the work of both kinds to your friends and your favourite teachers and see what kind of response you get.

If you have been painting for years and repeatedly gotten feedback about needing more contrast, or more vivid colour use, or more whatever else, what would it hurt to try at least one figure going to the other extreme? Maybe you’ll find out you need to dial it back just a little. Yeah, maybe your blending or fine detail painting will suffer a bit. But even if that is the case, you’ll probably be closer to where you need to be than you’re getting by slowing inching forward year by year.

Comparison Study

If you entered the MSP Open last year, I invite you to try this exercise. Go to the http://www.reapercon.com page and look at the contest picture entries from previous years. Find entries by other painters that were awarded the same level as you. Then scroll through and look at some of the entries that placed the next level up. So if you were awarded a certificate, look at a few other certificate winners, and the compare those pictures to bronze winning figures. Try to identify specific differences. Compare the level of contrast, the use of lining, whether and how the base materials are painted.

Dionne before afterComparison between different figures with different colour schemes requires a little more detective work, but is a valuable exercise that will improve your painting.

Try to find two or three specific things you want to do more like the people who placed a level higher than you did. Look at the pieces you plan to enter. Did you push yourself to do those things? If not, it’s not too late to go back to the hobby desk and try to incorporate them, or even try painting another piece or two.

(I suggest looking at other people’s entries at the same level because it’s harder to look at your own work objectively, but since it’s been a year, you might also try comparing your pieces from previous years to others as well.)

Read the Rules!

It is always a good idea to study up on the rules, and particularly the nature of each of the categories. https://reapercon.com/contestrules

Try to keep those in mind as you create your entries and decide which category to put them in. Also use that information to temper your expectations. If you put a figure with an elaborate base into the Painters category, the base work is only considered for a small part of the overall score. Regardless of how awesome the base is, the greater emphasis in judging will be on the standard of the paint work. Conversely, if you put a fantastically painted piece in the Open category but it has only a small simple conversion, the paint work is a much smaller component of the judging in that category, and the figure may place a level one or two lower than it would have if assessed on the paint alone.

For Diorama, story is critical. It’s not about having a number of figures together on a base. It’s about telling a story and setting a scene. Make sure your figures are interacting with each other and with elements in the scene. Add elements to the scene that contribute to the story or add interest to areas that don’t have a lot going on. Condense the size of the base if you don’t need that much space to tell the story. (The size of a scene base is another case where being as ‘real’ as possible isn’t always the best answer in terms of catching and keeping viewer interest.)

Bronze Sophie trophyThe MSP Open has fantastic trophies! And great looking medals. (Unfortunately mine are currently packed away for renovations, so I don’t have pics of those.)

Lining (aka Blacklining)

This is an issue that often comes up in feedback sessions. The various areas of your miniature need to be well-defined for the viewer. This definition needs to be apparent at arm’s length as well as in close up viewing. Using a tool like lining to distinguish one section of a figure from another is particularly important when you have adjacent surfaces that are similar in value. So if you have a pale skin person with blond or white hair, you need a bit of a line around the face to help the viewer see that this area is skin, and that area is hair.

Darklining is not the only method to achieve that. You can use strong contrast in your shading and get a similar effect. You can make adjacent surfaces very different in value (dark skin, pale hair). Note that generally speaking shading done via washes alone will not be strong enough. You don’t need to use a stark black. You can use a dark version of the colour of one of your adjacent surfaces (use a darker colour of the darkest surface.)

Sometimes people seem to feel like darklining is unrealistic. In actuality, it often simulates a very real situation. Take a look at someone nearby or in a photo. Where their sleeve meets their arm or the hem of their pants overhangs their shoes, you will likely see a thin line of shadow. Darklining is a way to create that effect on a miniature. Even when it isn’t 100% realistic, it helps make a tiny gaming figure more ‘readable’ to the viewer.

It looks like there are number of tutorials on YouTube that will help you out if you want to know more about the nuts and bolts of how to paint lining on your figures.
https://www.youtube.com/results?search_query=miniature+painting+lining

Contrast

You’ve probably been told you need it. Maybe you feel like you’re doing it, why can’t people see that? Or maybe you feel like it’s not realistic, why won’t people accept you want to paint in a more realistic way? Or maybe you accept that contrast is a good thing, but you just aren’t having much luck actually doing it. Whichever of the above best reflects your opinion, I have some blog posts for you!

More vs less contrastContrast! Try it!

First, an example of what more contrast actually looks like on the same figure.

Let’s talk about the issue of contrast vs. realism.

The way we think as we paint can make it harder to paint more contrast (includes additional examples of what more and less contrast look like on the same figures.)


And finally some hands on tips for painting with more contrast.


See you in a few weeks!

Atlanta Model Figure Show Photos Coming Soon

The Atlanta Model Figure Show takes place Friday February 15 to Sunday February 17. Prior to the show I will be attending a workshop by the Spanish painter Fernando Ruiz. I had been hoping to figure out how to blog on the road prior to this convention (to practice for the many conventions I have coming up), but sadly an ill-timed bout of the flu has prevented both that and the completion of the miniature I had hoped to bring as my main entry. But at least I’m getting better just in time to still attend the events!

Rather than the originally planned blogging live on the scene, I will instead try to post some pictures to my Facebook artist page, and then hopefully  do a highlights blog post once I return home. Though I’ve got another topic I’ve been working on that’ll probably jump the queue. I just need to work up some photos to add and give it a once over.

My Facebook artist page: https://www.facebook.com/wrenthebard/

Show up to a Show – in Atlanta, Chicago, Philadelphia and…

I’ve written before about why I think it’s valuable for miniature painting enthusiasts to attend a convention or show, and I’ve gone into detail about a couple of specific conventions (ReaperCon – hotel now available for booking, and Adepticon – coming up soon!) Now I’d like to write a little more about shows. I’m going to focus on a show in Atlanta, the Atlanta Model Figure Show, which takes place February 15 – 17, 2019 but this information is also generally applicable to shows in other cities, including Chicago, Philadelphia, Long Island, Tulsa, and Folkestone UK. Links to those shows are available at the end of this post. I know there are others in the United States, and hope that readers who might know more about those will share links and information in the comments. The show format is popular in Europe, and some marvelous large scale events are held there. Sadly I cannot as yet offer any personal experience with these, but I would love if people with more information on them shared their experiences in the comments!

A figure show tends to be a smaller and more focused event than a convention. That focus is on showing off, viewing, and assessing painted miniature figures, although there are also seminars, vendors, and opportunities to hang out and make friends with fellow miniature fans. The focused nature of these events offer a lot of advantages, though it may not appeal to those whose primary interest in gaming over painting and modeling.

The Show at a Show

The entries in a show are all displayed together in a room (or multiple rooms for large shows) on tables that are roughly chest height. If you’ve only ever seen miniatures in photographs or behind glass at a convention contest, this is a wonderful revolution in viewing experiences! You can see every figure at close to eye level. You can move your head to see figures from the side, or even from the back from the other side of the table. It’s far easier to get good photographs without having to deal with the glare and reflection of glass. There’s a whole room full of tables, so if you run into a traffic jam, you can just move to another section and come back to the jammed area later. Granted the high tables are less ideal for very short people or those in wheelchairs, but traditional convention display cases are also going to present some difficulties for those folks, as well as those of us with back issues who can’t easily bend down to see the lowest shelves.

Entries display at Atlanta Model Figure Show 2018This is just a small section of the display area at the Atlanta Model Figure Show 2018. You can see how easy it is to view the pieces displayed up on tables with lots of open walkway space. A far cry from trying to peer at figures crowded together in glass cabinets at a convention contest!

People who wish to display at a figure show enter their work into a few broad categories. An entrant can enter as many figures that conform to the rules as they like into each category. (Generally the rule is something you haven’t displayed in that show previously, and which fits the category guidelines, but always check the specific rules of any contest before you enter it!) There are helpful people at the registration desk if you have questions or concerns about which category is the right one for your work.

Elizabeth Beckley-Bradford's entry to Fantasy Painters in 2018 An example of a display of entries in the Fantasy Painters category at the Atlanta Model Figure Show 2018. These figures were painted by Elizabeth Beckley-Bradford.

 Whether entering one piece of a dozen, each entrant creates a display for their entries in the category area. This display can include small risers and/or a backdrop. These elements might be used to make it easier to focus on the figure for viewing (and photography), or to create a more pleasing composition for the selection of figures in the display as a whole.  A card with information about each figure is placed next to it, so people can see what it is, and who painted it.

Horror entries from Atlanta Military Figure ShowIf you like horror, whether modern or traditional, you’re bound to see something you’ll like at a figure show.

Entrants are also welcome to display additional information alongside their figures. This might include work in progress pictures that detail the customizations and conversions, research related to a particular time period or historical person that informed your work, or anything else you might like to share with viewers. Getting the chance to read/view a little more about the background of how a piece came together is one of the very fun features of a show!

Scratch built interpretation of a panel of a Mayan engraving.Entry in the Open category at the AMFS Show 2012. This is a scratch built interpretation of a panel of Mayan art. The entry becomes much more interesting to view because of the inclusion of a reproduction of the Mayan engraving that inspired it and an explanation into the thought process behind the piece.

At the Atlanta show the main categories are Fantasy Painters, Fantasy Open, Historical Painters, and Historical Open. Fantasy incorporates traditional fantasy, but also science fiction and horror. Historical focuses on both specific individuals from history, or figures sculpted and painted to reflect relatively accurate historic uniforms and dress. In Painter categories, the focus is primarily on the skill of techniques used in the painting process. The figures may be lightly converted or customized, and the piece may be a diorama, but by entering it into a Painter category, the entrant is requesting that the skills which will be judged will be primarily painting related. (The overall presentation and preparation of figures is considered as a small component of Painter categories.) The Open categories are for figures which have been significantly converted or sculpted from scratch. This can range from a scratch sculpted bust or figure with simple presentation, to complex diorama displays with a lot of base work as well conversions to the figures. It is particularly helpful to include WIP photos demonstrating the sculpting process or level of conversions with Open entries. Painting is also judged, but as a smaller component of the overall score than in the Painter categories.

Example of a Fantasy Open entryIn this Fantasy Open entry, Laura Dandridge went beyond WIP photos and included an unpainted copy of the bust that she sculpted and cast as well as the finished entry!

Additional categories at the Atlanta Model Figure Show include Models, Junior, Basic, and Toy Soldier. Many shows will have similar categories, but may not have all of these, or may have additional ones. Junior is for entrants aged 15 years or less. The Models category includes tanks and other types of historical ordinance, but also science fiction ships, and other types of aircraft/vehicles/etc. Basically entries where the focus is on a mechanical contrivance, though there may also be figures included in the scene with it. Weathering and other concerns specific to this type of figure are the focus of judging for this category. Toy Soldiers are a specific type of figure that may have been sold pre-painted so it’s more about the display and arrangement of the figures, which can become quite elaborate or sizable. Basically if you know what it is you might enter this category, and if you don’t, don’t worry about it. :->

There’s a whole type of figure that you are unlikely to see at a convention that you will see multiple wonderful examples of at most shows – the flat. Traditionally termed Zinnfiguren in Europe, a flat is a sort of cross between a full round figure, and a flat drawing. It’s a sort of bas-relief. These are a great way to push yourself to paint with more contrast, since you can’t rely on the sculpted contours of the figure at all! Flat figures are available in a great diversity of subjects, and in different scales. Flats based on classic artwork are very common, as are flats of holiday and cartoon characters, and subjects like angels and fairies. (Which makes them great gift ideas for your non-gaming friends and relatives that you’ve been wanting to paint something for!) They are often displayed in picture frames on dark velvet backgrounds, though some are sculpted on small stands with both a back and front side, so they can also be posed in dioramas or displays. 

The subjects of flats are as diverse as figuresThe subjects and painting styles of flat figures are as diverse as those of figures in the round. They are not judged as a separate category from figures in the round. Stock flats are judged in Painters, and scratch or heavily converted flats in Open.

The Show is also a Contest

Although it is possible to enter one’s work for display only, the majority of entrants also enter the contest. If you are only familiar with traditional podium style contests where only the top three (or five) entries are awarded prizes, the way an Open format contest is run is a completely different thing. In essence, each entrant competes against his/herself. The team of judges selects the best work from an entrant’s display to consider. (It is also possible for the judges to decide the work in the display is all of the same quality standard and to judge the entire display as a group instead.) So you don’t have to wrestle with deciding whether this one that you’ve done is the best you have right now, or is it that one? Then they judge that work against an overall standard, taking into account the criteria of the category. So in a Painter’s category, the quality of the paint work and the challenge factor of the techniques attempted are considered, with an additional smaller consideration given to the quality of the prep work and general presentation. In the open category, the technique demonstrated in sculpting and conversions is a significant factor, plus some consideration of the painting, and the prep and general presentation.  

Awards at AMFS 2018In addition to the medals awarded to the different standard levels, there are also special awards for particular subjects of figures. Awards at the Atlanta show include Best Horror, and Best Mounted figure, as well as several others.

Each judge awards the assessed piece a score, and the scores of the team are totaled and then averaged to find the score for that entry. Based on that score the entry might be awarded a Certificate of Merit, Bronze, Silver, or Gold medal, with each level becoming progressively more difficult to attain. As many medals of each level are given out as are achieved by the entrants. So one entrant’s success never takes anything away from someone else in the general show awards. Most shows also have additional prizes, like those pictured above. These might include the figure that best exemplifies the theme of that year’s show, or the best Napoleonic figure, or a number of other things. Many special awards are sponsored and selected by members of the figure painting club that hosts the show, so they can vary widely from show to show.

Award winnersFantasy/SF painters might recognize some of these proud award winners from the AMFS 2017 – Sabrina Ferguson, Aaron Lovejoy, a cute little creeper, and Liz Hunt.

I love this Open format for miniature figure judging and awards. It gives all entrants feedback on their current level and what they might yet have to strive for. There is no reason not to enter this kind of show. It doesn’t matter if you’ve only been painting a few months or a few years. Prior to attending a show hosted by a model figure club, I had gotten the impression that all of the work of military figure painters was top level. I probably came to this erroneous conclusion because those of us more interested in fantasy and SF generally see only the best of the best from the military side of the hobby, if we see anything. I was very encouraged to discover that of course they have the same range of experience levels in painting as we do on the fantasy/SF side of things! But in the Open format, even those painters who are newer or more casual in the hobby can still have their work considered for medals and appreciated in the display of the show. 

A range of levels is welcomed in the Open show formatYou may see work of world-class quality at a figure show, such as the piece from Mike Blank on the left that won Best of Show at the AMFS in 2017. But work from less experienced painters is also very welcome and will be assessed with just as much care and concern, and awarded a prize as appropriate. (Unfortunately I did not record the name of the painter of the swashbuckling pirate on the right.)

Seminars

In the United States at least, you are not likely to find the kind of miniature painting/modeling classes at a figure show that you might find at a convention like AdeptiCon, ReaperCon, or Gen Con. It is common for there to be a 1-3 day workshop in the days preceding the start of the show. This is a more expensive cost to attend than a two hour class, and requires arriving and staying at the venue for a few days ahead of when the show starts. (I do recommend attending a workshop if you can, it’s a terrific learning experience!) But this doesn’t mean there are no learning opportunities at a figure show! There are usually a handful of free seminars on various topics given by top painters and modelers. While you may not get hands-on opportunities with these, they are well worth attending if there is a topic that interests you on the schedule.

Vendors

One of the fun things about a figure show is that the pool of vendors and what they have for sale tends to be much different than what you’ll find at a convention! Busts, and larger scale figures, great reference books on painting and historical time periods, wonderful scenic bits for dioramas, and speciality products like brass etch plants are some of my favourites. You are also likely to find at least one booth offering those high quality wood plinths and blocks you’ve likely seen on some of the busts and displays from your favourite painters online. And of course there should be at least one vendor of the flats I talked about above.

Vendor tables at Atlanta military figure showBoxes of busts and larger scale figures at the Atlanta Model Figure Show.

More vendor tables at Atlanta military figure showModel kits on the near table and a view of one section of the vendor hall at the Atlanta Model Figure Show.

Hospitality Suite

Another fun feature of many shows is the hospitality suite. This is a hotel room open to attendees staying at the hotel to gather and hang out and enjoy snacks and possibly adult libations. This is a great opportunity to get to know people a little better and find out more about how they approach their hobby. I was nervous to attend my first model show in Atlanta in 2012, but everyone I talked to was super friendly and welcoming. Many even remembered me from that one meeting when I finally made it back again in 2017!

Hospitality suite at AMFS 2017Enjoying snacks with fellow figure enthusiasts in the hospitality suite at the Atlanta Model Figure Show in 2017.

A Few Notes

The atmosphere of a figure show is a little more casual than most conventions, including in the vendor area. A vendor might choose to close up early to go out to dinner, for example. Also while the schedule will generally list the vendor hall as being open on Sunday morning, my experience has been that a lot of the vendors will use that time to pack up, and some may already have left by 10 or 11am. So if you spot something you really want to buy on Saturday, don’t assume you can dither all Saturday night and be certain to pick it up the next morning. 

Magic cards come to lifeI love the creativity of this entry! Sady I did not keep track of the name of its creator.

The societies that organize these shows tend to have a lot of members who are a fair bit older than folks from the gaming side of the hobby. While they’re making an effort to embrace new technology you may find that they’re a little slow to update webpages, or more likely to communicate by email or even require snail mail advanced registration. Also these events are completely volunteer run, unlike a large gaming convention that has a core professional staff in addition to its numerous volunteers. If you can’t find all the information you need to decide whether to attend on their website or Facebook page, reach out to a contact address and ask what you need to know.

It is also important to note that many of these societies are eager to welcome new members of any age to their organizations, and many are very welcoming of fantasy and SF painters! If you live near enough to one of these groups to attend the regular monthly meetings, you have a wonderful opportunity to learn from some fantastic painters and modelers that you should not pass up just because their first interest is history and some of them are a little older than the people you normally talk to about painting. I wish I lived a lot closer to the Atlanta club than I do.

Scan of schedule for AMFS 2018

Scan of AMFS schedule 2018Scan of the schedule from the Atlanta Model Figure Show in 2018.

The Atlanta Model Figure Show

This year the Atlanta Military Figure Show takes place on February 15 to 17, 2019. It will be located at the Atlanta Hilton/Marietta Conference Center. If you want to attend but not enter any of your figures, the cost is $10 for the entire weekend. The fee to attend and display your work is $25 if you pre-register, and $30 at the door. For more information, check this website. You can get to the gallery pages from there to enjoy work submitted in 2017 and 2018 as well.

Atlanta Miniature Figure Show homepage: https://atlantafigures.org/amfs-show-2019/

Other Figure Shows

I have only had the opportunity to attend a few shows. In addition to Atlanta, I attended the World Expo in Chicago in 2017. This was hosted by the same group that puts on the MMSI show. MMSI also includes the participation of several members of the fantasy/SF community, so I have no qualms about recommending it, and I’m hoping to get there one day! I also have heard good things about the Miniature Figure Collectors of American show in Philadelphia. I’ve heard of shows in the past in Southern California, but was not able to find any information about upcoming shows. I did find a show in Long Island and another in Tulsa, but I have no personal experience or information about either. I also found one UK show to share. My guess would be that there are others out there as well. If you know of any, please let me and other readers know about them in the comments!

The Miniature Figure Collectors of America Show, April 12-13 2019: http://www.mfcashow.com/upcoming.html

The Military Miniature Society of Illinois Show in Chicago, October 11-13 2019: http://www.military-miniature-society-of-illinois.com/2018-chicago-show/

Euro Miniature Expo in Folkestone UK, May 11-12 2019: https://www.facebook.com/EuroMiniatureExpo/

The Long Island Miniature Collectors Show: http://www.longislandmodelsoldiers.com/limcs_model_soldier_show.htm

The Tulsa Show by the Historical Miniatures Society of Northeastern Oklahoma: https://www.facebook.com/pg/Historical-Miniatures-Society-of-Northeastern-Oklahoma-HMSNEO-211702852223535/events/

Note on the Lateness of this Blog Post…

Clearly my resolution/good intention of trying to blog a bit more regularly has not been going that well. My aim of painting more has hit similar snags. We’re trying to organize a bunch of work on our house and prepare for that, and I’m also attempting to move all my data and my computer use from an eight year old PC to a new Mac. Which is wonderful, of course, but also I’m a human who doesn’t like change, so it’s also kind of ACK and fraught with time-consuming technical snags. It was my aim to get this information out earlier, but hopefully it’s still early enough for making plans. I’ll be at the Atlanta Show, and if you can attend, I highly recommend it, and I’d love to see you there!

I normally try to provide links to figures shown in these blog posts, but I’m not sure where to start on this! If you’re particularly interested in one mention it in the comments and we’ll see if I can find it or another reader can.

ReaperCon 2018 Photos – Miniatures, People, and More

I think the thing that finally gave me the push to start this blog was my frustration at trying to share painting tips in photo captions on Facebook. But on the flip side of that, I think a blog is a terrible venue for a massive photo dump. So this entry is primarily some links to the photos I have posted over on Facebook.

First up, some photos of the contest entries. Sadly this is only some of the entries. My window of time to take pictures of the entries was briefer than I would have liked by far! ReaperCon is always a super busy show for me between teaching classes and serving as captain of one of the judging teams. I had another complication this year in that I had an episode of bursitis in my hip start up a couple of days before traveling to Texas, and that slowed me down a fair bit a the show. (In related news – I’m old!) So if you do not see your entry here, please trust that it was just a failing of time to get through the whole room with my camera, not a judgement of your work! When I take photos of minis I just work my way down a table taking pics of everything as I come to it, but occasionally having to move to another table as I attempt to avoid being in other people’s way.

After the miniature photos are a series of badly composed and occasionally blurry photos. These were taken at the awards ceremony. I was sitting near the front, but my position wasn’t optimal, and people move fast! Nonetheless, I thought I’d post what I had of people’s moments of glory!

https://www.facebook.com/pg/wrenthebard/photos/?tab=album&album_id=1587853734674471

If you would like to check out photos of all of the entries, go to this page. The show photos are terrific!

https://reapercon.com/mspopen/2018

My other photo directory is filled with pictures I took of a few of the activities at ReaperCon, and many of the people who help make the show what it is.

https://www.facebook.com/pg/wrenthebard/photos/?tab=album&album_id=1711390415654135

I think that wraps up my Reaper coverage for this year. I’ve been painting away on something that I’m excited to post about soon, I hope it’ll be a nice visual example that might help people in their painting.